It's funny because so often it feels true. That's not the same as being true. There are enough occasions over 90 minutes where the line is close enough. In 1996, director Reginald Hudlin (House Party, Boomerang) tackled the sweet science in a way that few others have ever approached the sport on the silver screen. Boxing has easily lent itself to Alger-esque fairy tales (Rocky), morality plays (Requiem for a Heavyweight), tragedies (Million Dollar Baby), and yes even comedies (Diggstown).
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