Wanted to mention one more thing about SAVATE
When we trace the different styles of boxing and, like a truck path with a Railroad, there is an intersection with fighting theory we will see many innovations that make perfect sense. So, in the Americas we had a robust tradition of Wrestling. In Brazil we see the development of different contests Vale Tudo (Anythng goes) the works (exhibition matches wrestling/ catch can etc)...Lute Livre, (joint locks) and of course boxing. In Brazil Judo entered the mix and these traditions would challenge each other in perpetuality all claiming as the Gracies did to be "undefeated." In fact the Gracies were taught a form of Judo initially, and this Judo was contested with folk wrestling, ect. There are no records that I can find of any sanctioned Thai, or professional boxer fighting a gracie member.
meanwhile in North America boxing and Jiu Jitsu via Judo met in the volcano island of Hawai. Hawai was hot!! you had Asian arts, Karate, Judo Jiu Jitsu (new forms Danzen Ryu Henry Cho)... and you had boxers. Out of this mix came fighting teachers like Ed Parker Kempo karate, and Henry Cho among others. And this takes us to the 60's where a small guy with incredible talent enters the scene of fighting theory. That was Bruce Lee.
Now here is the interesting thing: You have Lee, who was a street fighter, and a philosopher, a man willing to test and produce new methods that were not bogged down with unnecessary dogma. Jeet Kune Do was in fact more a statement of principles than an art per se, it was a plea for martial artists to take what was useful. Lee had the ear of the entire martial arts community and even the best martial artists of the time, men like Gene LeBell, Joe Lewis (another Joe Lewis not the boxer(s), Chuck Norris, etc acknowledged his skill level.
When Lee wrote his main tome "The Tao of Jeet Kune Do" he basically paid homage to a few arts in particular and this is where it gets interesting. Lee liked the punches of boxing. Boxing presented to him, the cleanest anatomical bare bones of a punch. Lee, like James Figg himself went back to roots and studied Fencing, for the timing and also for the straight lead. A punch that was eclipsed in sport fighting by the jab, but on the street, the lead, fighting with the strong hand forward and using it extended as a finishing blow, a jab to the eyes, etc... was Lee's preference. Lee also included some very basic grappling, probably because he was just starting to practice with LeBell, and learn these holds and locks.... Gene is a human encyclopedia of holds and locks, and knows more of these finishes, in Judo, and wrestling and anything in between, than any other 5 men alive today!
So... What other arts was Lee interested in? We had Wing Chun. The Wing Chun guard, the ability to block and strike as one movement, and The famous one inch punch all come from Wing Chun and Lee's time with Yip Man. Wing Chun, like the lead does not require pronation of the wrist. So one could strike from all ranges with the Wing Chun and Fencing/boxing methods reemployed by Lee in his quest....But there was one more art and many people don't realize this: SAVATE. Lee was big on Savate. Why? I mean Lee was exposed to amazing kicks in Tae Kwon Do... He was a personal friend of June Ree, why go to an obscure French foot boxing style?
Savate is a boxing form and it emphasizes explosive, whip kicks that take advantage of speed and little telegraphing. There are plenty of hooking kicks, leg kicks, groin kicks and head kicks in savate. The Savate fighters impressed Lee. So when we get to modern fighting theory and Lee we can see many connections to boxing, including the art of marseille france, the art of the dock strevedors and thiefs... The art that allowed one to use their boots as a deadly weapon. And an art that took a detour from boxing: Where as we see body weight and structure in the strong punches of Dempsey all the way through to Louis and we see Dempsey explicate these ideas....
Savate on the other hand? take a rock and put it in a sock and you have the savate kick. The punches really set up the kicks or are to finish because the kicks are what kills. You whip that kick out and snap it through the target. Funny enough Lee did this with his side thrust kick, along with a trick Lewis did as well, from the Okinawan Karate men: Not chambering the leg before the kick which telegraphs. Simply lifting it as the kick is delivered. But the Savate guys did not even use this kick replacing it with a pendulum kick similar to Capoera's back kick. this is called a mule kick by some. But the kicks in Savate are very dangerous and instrumental to modern fighting theory as explicated by Lee.
When we trace the different styles of boxing and, like a truck path with a Railroad, there is an intersection with fighting theory we will see many innovations that make perfect sense. So, in the Americas we had a robust tradition of Wrestling. In Brazil we see the development of different contests Vale Tudo (Anythng goes) the works (exhibition matches wrestling/ catch can etc)...Lute Livre, (joint locks) and of course boxing. In Brazil Judo entered the mix and these traditions would challenge each other in perpetuality all claiming as the Gracies did to be "undefeated." In fact the Gracies were taught a form of Judo initially, and this Judo was contested with folk wrestling, ect. There are no records that I can find of any sanctioned Thai, or professional boxer fighting a gracie member.
meanwhile in North America boxing and Jiu Jitsu via Judo met in the volcano island of Hawai. Hawai was hot!! you had Asian arts, Karate, Judo Jiu Jitsu (new forms Danzen Ryu Henry Cho)... and you had boxers. Out of this mix came fighting teachers like Ed Parker Kempo karate, and Henry Cho among others. And this takes us to the 60's where a small guy with incredible talent enters the scene of fighting theory. That was Bruce Lee.
Now here is the interesting thing: You have Lee, who was a street fighter, and a philosopher, a man willing to test and produce new methods that were not bogged down with unnecessary dogma. Jeet Kune Do was in fact more a statement of principles than an art per se, it was a plea for martial artists to take what was useful. Lee had the ear of the entire martial arts community and even the best martial artists of the time, men like Gene LeBell, Joe Lewis (another Joe Lewis not the boxer(s), Chuck Norris, etc acknowledged his skill level.
When Lee wrote his main tome "The Tao of Jeet Kune Do" he basically paid homage to a few arts in particular and this is where it gets interesting. Lee liked the punches of boxing. Boxing presented to him, the cleanest anatomical bare bones of a punch. Lee, like James Figg himself went back to roots and studied Fencing, for the timing and also for the straight lead. A punch that was eclipsed in sport fighting by the jab, but on the street, the lead, fighting with the strong hand forward and using it extended as a finishing blow, a jab to the eyes, etc... was Lee's preference. Lee also included some very basic grappling, probably because he was just starting to practice with LeBell, and learn these holds and locks.... Gene is a human encyclopedia of holds and locks, and knows more of these finishes, in Judo, and wrestling and anything in between, than any other 5 men alive today!
So... What other arts was Lee interested in? We had Wing Chun. The Wing Chun guard, the ability to block and strike as one movement, and The famous one inch punch all come from Wing Chun and Lee's time with Yip Man. Wing Chun, like the lead does not require pronation of the wrist. So one could strike from all ranges with the Wing Chun and Fencing/boxing methods reemployed by Lee in his quest....But there was one more art and many people don't realize this: SAVATE. Lee was big on Savate. Why? I mean Lee was exposed to amazing kicks in Tae Kwon Do... He was a personal friend of June Ree, why go to an obscure French foot boxing style?
Savate is a boxing form and it emphasizes explosive, whip kicks that take advantage of speed and little telegraphing. There are plenty of hooking kicks, leg kicks, groin kicks and head kicks in savate. The Savate fighters impressed Lee. So when we get to modern fighting theory and Lee we can see many connections to boxing, including the art of marseille france, the art of the dock strevedors and thiefs... The art that allowed one to use their boots as a deadly weapon. And an art that took a detour from boxing: Where as we see body weight and structure in the strong punches of Dempsey all the way through to Louis and we see Dempsey explicate these ideas....
Savate on the other hand? take a rock and put it in a sock and you have the savate kick. The punches really set up the kicks or are to finish because the kicks are what kills. You whip that kick out and snap it through the target. Funny enough Lee did this with his side thrust kick, along with a trick Lewis did as well, from the Okinawan Karate men: Not chambering the leg before the kick which telegraphs. Simply lifting it as the kick is delivered. But the Savate guys did not even use this kick replacing it with a pendulum kick similar to Capoera's back kick. this is called a mule kick by some. But the kicks in Savate are very dangerous and instrumental to modern fighting theory as explicated by Lee.
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