Lomancheko overrated..a SOLID pitty pat boxer in a weak division
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that **** he send me is wayyyy past the line, he offers 0 boxing talk on here..all he does it post racist bull**** and troll..More and more posters seem to be posting racial slurrs and nothing is done about it, they get a week ban at most, maybe a month and are let backComment
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Hah, according to Google (see screenshot below) he deleted it but I went ahead and made a copy.

Copy available here :
https://docs.google.com/document/d/1...it?usp=sharingHe is now saying i made that post up to frame him, the mods actually believe this clown..wow, its easy to see who and what the real issue is, they even create fake profiles acting like blacks n post ****** race baiting things. lol trump has got them feeling themselves its very funny to watch, then u call it out they become the victim, they are the villain and the victim, not much u can do with these clowns smhComment
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Obviously clear vision is not one of your attributes. Let me give you a clue. Lom varies the intensity of his punches to both confuse and punish his opponents both to the head and body. An opponent does not know what to protect because they are not sure which punches will be harder and where they will come from and where they will land. He has dropped and stopped guys with hard punches and has bewildered them and set them up with varying degrees of intensity on his punches. This lesson is free. Next time I charge you. Cash or PayPal only, no personal checks. And don't EVER again compare a face-first brawler like Kat to Lom, it makes you look like you haven't got a single operating brain cell in the vast emptiness of your head. Anyone can come up with a better comparison than Kat unless Kat and Lom are the last two fighters on earth.
Very good breakdown of loma... With the angles, constant movement, and the changing velocity of punches, he reminds me of Joe calzaghe but with much better technique.. Calzaghe could be very sloppy, while loma is pure precisionComment
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Ummm. I took an entirely different message from that film, which I took to be illustrating the bleak and dystopian future that awaits if mankind continues to marginalise and brutalise the poor and disadvantaged. Matter of perspective I guess. Still doesn't excuse the clearly racist intent of the fuckwit currently calling himself the Notorious One, however.“District 9”
Directed by Neill Blomkamp
2009, 112 min., Rated R
What D. W. Griffiths did to U.S. history in his technically magnificent but thematically racist “Birth of a Nation,” Neill Blomkamp does to Africa in the profoundly racist “District 9.”
The “Nigerians” in “District 9” inherit the depictions of ****** and freed Blacks in the Griffiths epic: they are snarling, monstrous, cannibalistic, sexually depraved and murderous. And they are the only Africans in the film other than the few African residents of the future Republic of South Africa in which the story takes place.
And what about the South Africa shown in this film? Is there any sign that the African National Congress and Nelson Mandela have influenced the character of this future South African society? No way! Not in Blomkamp’s vision. The South African technocracy is pretty much lily white, with just a few Africans who have become qualified to work in the corporate and state institutions. And this in a country that is almost 90% African and only 10% European.
What’s more, the few representatives of poor Black South Africans who speak to reporters in the film’s newsreels are depicted as callously unsympathetic with, even hostile toward, the alien “prawns” even though the South African government has forced the aliens to live in concentration camps like those in which indigenous South Africans were confined under apartheid.
Blomkamp has received praise for his seemingly “humanistic” treatment of the “prawns,” but in fact the South Africa that he projects into the future is one that is an apartheid-supporter’s ideal: wealth, power and know-how are in the hands of whites. The “*******” message of this movie is that aliens and humans can “just get along” so long as both groups successfully control, and even exterminate, the African “savages” so familiar to Western fantasies from the 1800s on.
It is heartening to see that the Nigerian authorities and others in Africa are exposing the racism that “District 9” represents and mounting boycotts of the film. But it is not encouraging to see how easily the racist themes have escaped the notice of almost all American film critics.Comment



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