Radio Box has introduced NSB poetry day! Lol, I'm pretty sure he was trolling in his last thread, but even so, judge not lest ye be judged. I gave him my two cents, so here's my poem in return.
"The Ballad of Marvin Hagler"
Marvin Hagler, Marvin Hagler,
Brother-kin to Hiawatha!
Stalking Hagler, storming Hagler,
Snarling, snorting, swarming Hagler –
Marvin Hagler, Marvin Hagler,
Brother-kin to Hiawatha,
Did he ever doubt the reasons
That he started fighting for?
When he wasn’t blazing trails, when he wasn’t making millions,
When he wasn’t painting Vito’s face in scarlets and vermilions
What drove him, what inspired him, what inner voice required him
To destruct, and destroy, and to War?
For that matter, why would anyone decide to don the leather
Whether casual, or amateur, or pro?
Why attempt to concuss with an earthquake of a knockout
Or to beat someone’s face to a pulp?
But it’s not simply that
It’s both life and death cohabiting
It’s the One, and the Other, both the same,
Where a yin and a yang can collide and write an epic
And communicate it silent as the grave.
All the speed
And the skill
And the savageness and valour
And the bobs
And the weaves
And the blood
It is us, it is us – it is Shakespeare and Rachmaninov,
It’s Achilles, and it’s Hector, and it’s us.
This isn't (just) a vanity project, a large part of my masters' degree is currently going into researching boxing in modernist poetry. Cheers,
Gingerbreadman
"The Ballad of Marvin Hagler"
Marvin Hagler, Marvin Hagler,
Brother-kin to Hiawatha!
Stalking Hagler, storming Hagler,
Snarling, snorting, swarming Hagler –
Marvin Hagler, Marvin Hagler,
Brother-kin to Hiawatha,
Did he ever doubt the reasons
That he started fighting for?
When he wasn’t blazing trails, when he wasn’t making millions,
When he wasn’t painting Vito’s face in scarlets and vermilions
What drove him, what inspired him, what inner voice required him
To destruct, and destroy, and to War?
For that matter, why would anyone decide to don the leather
Whether casual, or amateur, or pro?
Why attempt to concuss with an earthquake of a knockout
Or to beat someone’s face to a pulp?
But it’s not simply that
It’s both life and death cohabiting
It’s the One, and the Other, both the same,
Where a yin and a yang can collide and write an epic
And communicate it silent as the grave.
All the speed
And the skill
And the savageness and valour
And the bobs
And the weaves
And the blood
It is us, it is us – it is Shakespeare and Rachmaninov,
It’s Achilles, and it’s Hector, and it’s us.
This isn't (just) a vanity project, a large part of my masters' degree is currently going into researching boxing in modernist poetry. Cheers,
Gingerbreadman
Good stuff
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