ESPN The Magazine: Unmatched
by Tim Struby
ESPN The Magazine
Route 90 West snakes from the eastern shore of Florida through Tallahassee into Biloxi and on down to New Orleans. Along the way, less than 50 miles from Alabama’s border, sits Pensacola. P-Cola, as they say, is technically in Florida, but only in the sense that Texas is technically in the Union. Tucked into the panhandle, the town is Mississippi Delta country through and through, a place where the orange moon hangs low over the Gulf and the peaty morning air gives the land a smell of history.
A short stroll off the highway, the baddest man in boxing sits on a dais in the Booker T. Washington High School gymnasium, lording benignly over his loyal subjects. The gaggle of girls in "Seniors" shirts. Students in wheelchairs. Teachers, security guards, friends and family. They’ve gathered in their hometown gym, his hometown gym, to honor Roy Jones and fellow alum Derrick Brooks. Today, the athletic complex is being renamed for two generous benefactors. First to the microphone is former vice principal Shorty Ward, a white-haired, God-fearin’ firecracker. "When boys would get into a fight," he twangs, "I’d say why don’t you go jump on Roy? If you whip him, then you’ve done something." Next, it’s Doris Law, straight out of Mayberry with her gold wire-rim glasses and big blond bun. Mrs. Law, as Jones still addresses her, has been teaching home economics at Washington since 1969. She hand-sews the champ’s boxing trunks before every fight. "I’ve never split a seam yet," she boasts of the shorts that Nike designs before sending the pattern to her. Then comes oxygen-toting, former principal Sherman Robinson, in pressed slacks and yellow golf shirt. What has kept Jones humble and loved, explains Robinson, what has made him whole, "is not forgetting where he came from."
He is, of course, preaching to the choir. To this assemblage, every facet of the baddest man’s career has been near perfect. He’s won titles in three weight classes (middleweight, super middleweight, light heavyweight). He’s the Boxing Writers Association of America’s Fighter of the Decade for the ’90s. Besides a single aberration (a disqualification against Montell Griffin in 1997), he’s never come close to losing. Jones’ body of work is so comprehensive, in fact, there’s arguably no one left for him to fight. And he’s accomplished all of this and made his millions while sidestepping boxing’s scurrilous establishment -- by managing and promoting himself.
Roy Jones Jr. steps up to the mike. He covers his face. His voice cracks. "I met 90% of my friends here at Washington," he says.
The powder-blue walls of the gym can barely contain the love. They love him here because Jones doesn’t just remember where he came from. He never left. But outside these walls, outside the mossy comfort of L.A. (Little Alabama), there’s a far different reception for Jones. In his other world, the professional one, Jones has never been less popular. The decision to manage himself has left the untouchable-in-the-ring fighter vulnerable to a battery of critics. According to them, the baddest man in boxing has betrayed his sport. Fans say he’s lost his love for the game. Experts complain that he thinks only about himself. Everyone agrees the legend is crumbling.
Only in the sweet science could a man -- a good man -- be the best at what he does, maybe ever, and jeopardize his place in history.
***
I’m getting sick of this/Y’all critics can kiss where the sun don’t shine. -- from Round One: The Album, Jones debut CD.
***
He is driving fast, and not because a Barnhill’s Country Buffet all-you-can-eat Southern fricassee ($4.95) is at the end of the road (although that wouldn’t surprise anyone who’s broken cornbread with Jones). No, he’s speeding because he’s riled. And that is surprising. Because, oddly, the baddest man in boxing is rarely riled. Even in the ring he’s serene, whether jitterbugging with Reggie Johnson or praying for a stoppage against a hemorrhaging Vinny Pazienza. "I feel fine," Jones says, though the white-knuckle grip on the wheel speaks more convincingly. "I got a better understanding of my life than any fighter. I could care less what Larry Merchant says. Him and all the rest of ’em."
They have a lot to say. The Boston Globe’s longtime boxing writer, Ron Borges, describes Jones as "a fighter who suffers from delusions of grandeur and illusions about what being a pro really is." Merchant, boxing maven for HBO (which has an exclusive deal with Jones), personally told the fighter that he’s no longer the analyst’s pound-for-pound best. Similar sniping from every corner of the sport has built to a rumble over the past three years, centering on a disappointment in the quality of Jones’ lopsided pay-per-view events. Mismatches don’t foster popularity; fans feel fleeced, experts cheated.
Skill, of course, is not at issue. "He’s the most physically talented fighter I’ve ever seen," says former HBO boxing czar Lou DiBella. In fact, Jones may be the most gifted fighter in history (apologies to Sugar Ray Robinson, Ali, Willie Pep et al.). At 33, his combination of speed, power and grace remains unparalleled. No one comes close. Recent fights included two against opponents who held titles and four who were ranked in the top 10; all were lucky to win a round. Whose fault is that? "He’s criticized for being too good," says ESPN boxing analyst Max Kellerman. "They ask more of Roy Jones than any other fighter."
"They" want him to fight guys he’s already embarrassed. But what will it prove to beat Bernard Hopkins and James Toney again? "They" want him to go to Germany to fight Darius Michalczewski, the undefeated WBO champion. But he fought on someone else’s homecourt once, and it didn’t go so well: In 1988, at the Seoul Olympics, Jones outpunched South Korea’s Park Si Hun 86-32, but lost the gold (although Jones thinks the double gold in pairs figure skating this year could help his cause). "They" want him to fight as a heavyweight. Haven’t "they" seen the tape of Mike Tyson’s near-decapitation of Michael Spinks?
"Does he have to take those challenges? No." says matchmaker Eric Bottjer. "But if you want to appeal to the fans, you have to take them." That’s the problem when you’re the best fighter on the planet: The bar keeps moving. And it doesn’t quiet critics when the man who is supposed to be unbeatable chooses to toy with cadavers like Otis Grant and Richard Frazier. It doesn’t help that HBO charges $39.95 and then he doesn’t knock anyone out, or that he looks distracted at times, bored even. It certainly doesn’t help that he makes his job look like, well, his job.
But what can be expected of a man who can prove nothing more? Some 2,300 years ago, Alexander the Great wept when he had no more empires to conquer. The challenge of finding a fair challenge becomes harder than any fight. Jones’ dilemma is a Zen conundrum: How can a man bestowed with immeasurable talent display it to those who have no way to measure it?
The backlash is unprecedented for a fighter who has kept his nose so clean (save for a well-publicized passion for ****fighting). In the weeks before Jones dismantled the undefeated, if unknown, Julio Gonzalez, the "Roycott" emerged -- a grassroots movement to dissuade people from purchasing Jones’ fights. "It was the first time I’ve seen boxing fans go out of their way to not buy a pay-per-view event," says Steve Kim of MaxBoxing.com. The first shot was lobbed on HBO’s boxing Web site. An e-mail in the Fan Forum declared, "We will do whatever is in our power to inform the general public and casual fans about the frauds passed off as fights that Mr. Jones and others put on." It quickly spread throughout the close-knit boxing community, daily fodder for both fans and sportswriters. "They hate me ’cause they can’t make me," says Jones, calmly. "But if you got a sense of self, you’re indestructible."
Jones’ sense of self may be his most important gift. Big egos in boxing are no secret. The belief in one’s invincibility keeps the fighter motivated, protected. It’s as essential to his survival as a mouthpiece or a cup. Yet the greater the champion the bigger the ego, and even the best succumb to its temptations. They appear on The View. They skip training and make cameos with Clooney and Pitt. They assault women. They lose titles.
Jones has never once compromised his professionalism. That’s why he makes better-than-average opponents, former title-holders like Johnson and contenders like Eric Harding, look like Golden Glovers. "If I took Harding for granted," Jones insists, "I probably would have gotten beat. Look what happened to Lennox. Look what happened to the Prince."
He continues, "People are itching for me to do this and that. But a great warrior gonna sit back and be patient." Jones speaks freely, if not fully. Clearly, there is a part of him that is bothered by the disparaging talk. It’s the part that got up and left following Merchant’s pound-for-pound dismissal. It’s the part that has him driving alarmingly fast as he remembers it now. It’s the part of him that names a single from his debut rap CD "Y’all Must’ve Forgot."
***
I’m still the same ’ol boy, good ’ol Roy.
***
by Tim Struby
ESPN The Magazine
Route 90 West snakes from the eastern shore of Florida through Tallahassee into Biloxi and on down to New Orleans. Along the way, less than 50 miles from Alabama’s border, sits Pensacola. P-Cola, as they say, is technically in Florida, but only in the sense that Texas is technically in the Union. Tucked into the panhandle, the town is Mississippi Delta country through and through, a place where the orange moon hangs low over the Gulf and the peaty morning air gives the land a smell of history.
A short stroll off the highway, the baddest man in boxing sits on a dais in the Booker T. Washington High School gymnasium, lording benignly over his loyal subjects. The gaggle of girls in "Seniors" shirts. Students in wheelchairs. Teachers, security guards, friends and family. They’ve gathered in their hometown gym, his hometown gym, to honor Roy Jones and fellow alum Derrick Brooks. Today, the athletic complex is being renamed for two generous benefactors. First to the microphone is former vice principal Shorty Ward, a white-haired, God-fearin’ firecracker. "When boys would get into a fight," he twangs, "I’d say why don’t you go jump on Roy? If you whip him, then you’ve done something." Next, it’s Doris Law, straight out of Mayberry with her gold wire-rim glasses and big blond bun. Mrs. Law, as Jones still addresses her, has been teaching home economics at Washington since 1969. She hand-sews the champ’s boxing trunks before every fight. "I’ve never split a seam yet," she boasts of the shorts that Nike designs before sending the pattern to her. Then comes oxygen-toting, former principal Sherman Robinson, in pressed slacks and yellow golf shirt. What has kept Jones humble and loved, explains Robinson, what has made him whole, "is not forgetting where he came from."
He is, of course, preaching to the choir. To this assemblage, every facet of the baddest man’s career has been near perfect. He’s won titles in three weight classes (middleweight, super middleweight, light heavyweight). He’s the Boxing Writers Association of America’s Fighter of the Decade for the ’90s. Besides a single aberration (a disqualification against Montell Griffin in 1997), he’s never come close to losing. Jones’ body of work is so comprehensive, in fact, there’s arguably no one left for him to fight. And he’s accomplished all of this and made his millions while sidestepping boxing’s scurrilous establishment -- by managing and promoting himself.
Roy Jones Jr. steps up to the mike. He covers his face. His voice cracks. "I met 90% of my friends here at Washington," he says.
The powder-blue walls of the gym can barely contain the love. They love him here because Jones doesn’t just remember where he came from. He never left. But outside these walls, outside the mossy comfort of L.A. (Little Alabama), there’s a far different reception for Jones. In his other world, the professional one, Jones has never been less popular. The decision to manage himself has left the untouchable-in-the-ring fighter vulnerable to a battery of critics. According to them, the baddest man in boxing has betrayed his sport. Fans say he’s lost his love for the game. Experts complain that he thinks only about himself. Everyone agrees the legend is crumbling.
Only in the sweet science could a man -- a good man -- be the best at what he does, maybe ever, and jeopardize his place in history.
***
I’m getting sick of this/Y’all critics can kiss where the sun don’t shine. -- from Round One: The Album, Jones debut CD.
***
He is driving fast, and not because a Barnhill’s Country Buffet all-you-can-eat Southern fricassee ($4.95) is at the end of the road (although that wouldn’t surprise anyone who’s broken cornbread with Jones). No, he’s speeding because he’s riled. And that is surprising. Because, oddly, the baddest man in boxing is rarely riled. Even in the ring he’s serene, whether jitterbugging with Reggie Johnson or praying for a stoppage against a hemorrhaging Vinny Pazienza. "I feel fine," Jones says, though the white-knuckle grip on the wheel speaks more convincingly. "I got a better understanding of my life than any fighter. I could care less what Larry Merchant says. Him and all the rest of ’em."
They have a lot to say. The Boston Globe’s longtime boxing writer, Ron Borges, describes Jones as "a fighter who suffers from delusions of grandeur and illusions about what being a pro really is." Merchant, boxing maven for HBO (which has an exclusive deal with Jones), personally told the fighter that he’s no longer the analyst’s pound-for-pound best. Similar sniping from every corner of the sport has built to a rumble over the past three years, centering on a disappointment in the quality of Jones’ lopsided pay-per-view events. Mismatches don’t foster popularity; fans feel fleeced, experts cheated.
Skill, of course, is not at issue. "He’s the most physically talented fighter I’ve ever seen," says former HBO boxing czar Lou DiBella. In fact, Jones may be the most gifted fighter in history (apologies to Sugar Ray Robinson, Ali, Willie Pep et al.). At 33, his combination of speed, power and grace remains unparalleled. No one comes close. Recent fights included two against opponents who held titles and four who were ranked in the top 10; all were lucky to win a round. Whose fault is that? "He’s criticized for being too good," says ESPN boxing analyst Max Kellerman. "They ask more of Roy Jones than any other fighter."
"They" want him to fight guys he’s already embarrassed. But what will it prove to beat Bernard Hopkins and James Toney again? "They" want him to go to Germany to fight Darius Michalczewski, the undefeated WBO champion. But he fought on someone else’s homecourt once, and it didn’t go so well: In 1988, at the Seoul Olympics, Jones outpunched South Korea’s Park Si Hun 86-32, but lost the gold (although Jones thinks the double gold in pairs figure skating this year could help his cause). "They" want him to fight as a heavyweight. Haven’t "they" seen the tape of Mike Tyson’s near-decapitation of Michael Spinks?
"Does he have to take those challenges? No." says matchmaker Eric Bottjer. "But if you want to appeal to the fans, you have to take them." That’s the problem when you’re the best fighter on the planet: The bar keeps moving. And it doesn’t quiet critics when the man who is supposed to be unbeatable chooses to toy with cadavers like Otis Grant and Richard Frazier. It doesn’t help that HBO charges $39.95 and then he doesn’t knock anyone out, or that he looks distracted at times, bored even. It certainly doesn’t help that he makes his job look like, well, his job.
But what can be expected of a man who can prove nothing more? Some 2,300 years ago, Alexander the Great wept when he had no more empires to conquer. The challenge of finding a fair challenge becomes harder than any fight. Jones’ dilemma is a Zen conundrum: How can a man bestowed with immeasurable talent display it to those who have no way to measure it?
The backlash is unprecedented for a fighter who has kept his nose so clean (save for a well-publicized passion for ****fighting). In the weeks before Jones dismantled the undefeated, if unknown, Julio Gonzalez, the "Roycott" emerged -- a grassroots movement to dissuade people from purchasing Jones’ fights. "It was the first time I’ve seen boxing fans go out of their way to not buy a pay-per-view event," says Steve Kim of MaxBoxing.com. The first shot was lobbed on HBO’s boxing Web site. An e-mail in the Fan Forum declared, "We will do whatever is in our power to inform the general public and casual fans about the frauds passed off as fights that Mr. Jones and others put on." It quickly spread throughout the close-knit boxing community, daily fodder for both fans and sportswriters. "They hate me ’cause they can’t make me," says Jones, calmly. "But if you got a sense of self, you’re indestructible."
Jones’ sense of self may be his most important gift. Big egos in boxing are no secret. The belief in one’s invincibility keeps the fighter motivated, protected. It’s as essential to his survival as a mouthpiece or a cup. Yet the greater the champion the bigger the ego, and even the best succumb to its temptations. They appear on The View. They skip training and make cameos with Clooney and Pitt. They assault women. They lose titles.
Jones has never once compromised his professionalism. That’s why he makes better-than-average opponents, former title-holders like Johnson and contenders like Eric Harding, look like Golden Glovers. "If I took Harding for granted," Jones insists, "I probably would have gotten beat. Look what happened to Lennox. Look what happened to the Prince."
He continues, "People are itching for me to do this and that. But a great warrior gonna sit back and be patient." Jones speaks freely, if not fully. Clearly, there is a part of him that is bothered by the disparaging talk. It’s the part that got up and left following Merchant’s pound-for-pound dismissal. It’s the part that has him driving alarmingly fast as he remembers it now. It’s the part of him that names a single from his debut rap CD "Y’all Must’ve Forgot."
***
I’m still the same ’ol boy, good ’ol Roy.
***
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