Why does Herbie still think hes a playa in boxing. He was knocked out by chingganguly chingangu and he is talking rubbish of Haye. Haye would knock him out. He will find it even harder at cruiser than heavyweight.
Born of a German father and a Haitian mother Joe started playing soccer at the age of 14 for the well known Haitian club L' Etoile Haitiene and played for them against the National Soccer League all-star team of New York when they toured Haiti in 1941.
In the late 1940s he moved to the U.S. on a Haitian government scholarship to attend Columbia University. In New York he played for Brookhattan in the American Soccer League, and won the scoring title in 1950. Along the way he worked as a dishwasher in a restaurant to make ends meet. His scoring ability attracted the attention of the selectors for the U.S. national team and he became a member of the 1950 World Cup team. In Brazil, Joe scored the famous goal that beat England 1-0 in Belo Horizointe. Following the World Cup he moved to France, where he stayed for three years, and played for the Racing Club of Paris where his close friend was Rene Vignal. Later willing to play in warmer weather Joe was transferred to ALES in the south of France. After leaving France Joe returned to Haiti where he became a spokesman for Colgate and Palmolive and owned his own dry cleaning stores. He continued to play soccer and played for Haiti against Mexico in a World Cup qualifying game in Port-au-Prince on December 27, 1953. On July 8, 1964 Joe was arrested by the Tontons Macoutes, the notorious Haitian secret police, and was never seen again.
The London papers assumed their information was mistaken. They took England 0 - 1 USA to be a misprint of England 10 - 1 USA; some actually printed the version that had the Brits winning by nine goals.
Nora Louise Kuzma was born in Steubenville, Ohio to Louis and Patricia Kuzma (ne้ Briceland). Her stage name is said to be in tribute to Katharine Hepburn's character Tracy Lord from The Philadelphia Story[2] or from the first name of her high school best friend Traci; and the last name of her favorite actor from Hawaii Five-O, Jack Lord. At twelve she fled from her abusive, alcoholic father to Lawndale, California, with her mother and three sisters.[3] In 1983 she began Redondo Union High School, and she had an ******** which she paid for by herself. She also had a nervous breakdown and ran away from home. While living with her mother's ex-boyfriend, who posed as her stepfather, she used a friend's birth certificate to obtain a driver's license indicating that she was twenty-two years of age to fake her way into the **** industry at the age of fifteen, starting with Jim South at the World Modeling Agency in Sherman Oaks, while assuming the name Kristie Elizabeth Nussman.[3]
Shortly after, she was modeling for widely distributed adult magazines, most notably Penthouse, in the same September 1984 issue that exposed Miss America 1984, Vanessa Williams. She quickly ventured into adult movies. Her first movie was "What Gets Me Hot!" followed by "Those Young Girls" and "Talk Dirty To Me Part III", all made in the first half of 1984. Lords' youthful appearance and enthusiastic sexual performances propelled her to stardom and she is considered by many to be one of the first **** queens. [citation needed] By the time she was 18, she'd appeared in 100 adult films. Lords argued in her autobiography, however, that approximately 80 of those films were composed from leftover and re-edited footage from the original 20 films that were shot.[4]
In 1986, authorities discovered she was underage while making movies and they arrested her, as well as the owners of her movie agency and X-citement Video, Inc. See United States v. X-Citement Video. The ensuing prosecution against the agencies cost the ****ographic film and distribution industry millions of dollars as they were obliged by law to remove hundreds of thousands of her videotapes, films and magazines from store shelves to avoid the risk of prosecution for trafficking child ****ography. In her book, Lords suggested hypocrisy on the part of the movie producers and the news media, arguing that the **** industry got richer from the scandal's publicity even as they complained of losing a lot of money after destroying her illegal movies. She complained that the reporters that condemned her in their news stories used censored pictures from her films in their reports. [4] Lords herself was never charged with a crime, since as a minor she was unable to give informed consent to perform sex acts on film for money. Instead, the agents and producers who accepted her fake IDs were charged and people affiliated with the films in question experienced legal troubles for years.
For her appearance in these movies, while she was under-age she was paid a salary, she didn't own the rights of those films. According to her autobiography, she made $35,000 as total salary for all of those movies, including the $5,000 she received for her appearance in Penthouse. Most of this money was spent on rent and drugs. It also payed for a black Corvette that her boyfriend later totaled.
But for her last few films she and her boyfriend formed a production company where her boyfriend produced the movies. Lord received a smaller salary but received also part of the rights of these movies. Only one of these files, Traci, I Love You, was produced after her eighteenth birthday. Later, after her arrest Lords sold her rights in this film for $100,000. It is the only one legally available in the United States.
This has led to claims that it was Lords herself who tipped off the authorities to gain immunity from prosecution while profiting from the movie.[4] The theory behind this was that she waited until she made one film when she was of age because she knew all her others would be pulled off the market immediately. Traci, I Love You was a huge hit after the truth came out. While many duped associates in the **** industry believe or point to this theory, nothing has ever been proven to substantiate it. Lords denies this notion in her autobiography, and claims that she was reluctant to sell her rights since at that time she was trying to become a real actress and didn't want any older movie still available. Also she knew nothing of people's real names or who produced which film and did not provide such information to the FBI. The FBI agents, she wrote, "appeared annoyed" when she could not provide the information they wanted.[4]
Government prosecutors declared that Lords was a victim of a manipulative industry, maintaining she was drugged and made to do non-consensual acts. But industry insiders, like Ron Jeremy, Ginger Lynn and Tom Byron, as well as boyfriends say they never saw her use drugs and that she was fully aware of her actions even if, as a minor, she could not legally consent. While Lords decries the ****ographic film industry, she continues to use the stage name she gave herself as a minor, and ultimately made it her legal name. She wrote, "I chose to stop running from it. Instead, I won it, legally changing my name to Traci Elizabeth Lords. That's who I was, and that's who I was going to be."[4] Lords stated that she is not trying to hide from her past,telling Oprah: "I found you can run but you cannot hide". [5]
The Justice Department was forced to drop all charges when it was revealed that the fake ID which Lords had used to dupe the ****ographic film industry was a U.S. passport in the name of Traci Lords - the government had been duped, and any defendant would simply have been able to hide behind the government's error.
June 29, 1950: Magalhaes Pinto (Minerisao) Stadium, Belo Horizante, Brazil attendance: 10,051 Referee: Generoso Dattilo, Italy
USA 1: 39' Joe Gaetjens (Bahr)
Frank Borghi, Harry Keough, Joe Maca, Ed McIlvenny (captain), Charlie Colombo, Walter Bahr, Frank Wallace, Gino Pariani,
Joe Gaetjens, John Souza, Ed Souza Coach: Bill Jeffrey
ENG 0
Bert Williams, Alf Ramsey, John Aston, Tommy Wright, Laurie Hughes, Jimmy ****inson, Thomas Finney, Stanley Mortensen,
Roy Bentley, Wilf Mannion, Jimmy Mullen Coach: Walter Winterbott
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