For G.J.C.
Towards a Biography of George
Barnes, Australian Boxer1
Rodney Sullivan and Robin Sullivan
There is no consensus on George Barnes’s standing in Australian sports
history. In his influential Lords of the Ring Peter Corris gave a less than
flattering portrait of Barnes. Although admitting his popularity,
fearlessness, independence and honesty Corris denigrated his boxing
skills and achievements. He described Barnes as ‘the last of the old-style
of Australian fighters starting young, indifferently managed, relatively
unsuccessful overseas, going on too long and displaying courage in
excess of his skill’.2 Other commentators have been more generous. An
entry in the Encyclopaedia of Australian Sports presented him as a ‘tough,
rugged fighter who refused to give an inch in the ring’ and underlined
the precedents he created, the first son of a national boxing champion to
emulate his father and the first Australian to win the British Empire
welterweight title.3 In a profile subtitled ‘Son of an Anvil’, Grantlee
Kieza highlighted Barnes’s capture of the Australian and Empire
welterweight championships and his high earnings, a considerable
proportion of which were won overseas.4 Ron Casey a leading sports
journalist and contemporary of George Barnes summed him up him as
‘a wonderful fighter and great friend . . . so tough and durable’.5 Another
journalistic contemporary of Barnes, writing in the mid-1950s,
distinguished him from the more numerous ‘*****foot fighters’ of the
time, marking him as ‘a man not frightened to go in and mix it’.6 Bernie
Pramberg’s recent profile of Barnes was similarly positive, identifying
him as the ‘iron man’ of Australian boxing when the sport was at its
pinnacle. He had no hesitation in nominating him ‘one of our all-time
greats’ in view of the length of his career, with sixty-six professional
bouts over fifteen years, and his performances against world-rated
opponents.7
If one puts aside Corris’s bleak appraisal there are indications that
Barnes’s biography would be atypical. A collection of boxers’ biographiesis likely to overwhelm the reader with the number of lives cut short or
impaired. There is a familiar pattern of events in the lives of many
boxing subjects. Elements include a poor family, little formal education,
and a career forged out of a mixture of physical gifts, aggression, and
more or less fortunate management. The pattern often follows the wheel
of fortune with the career apogee succeeded by decline as the boxer’s
physical strength wanes. The glamour which accompanies him in victory
gives way to penury, drug addiction and ill-health unless an early death
preserves him, in company with Les Darcy, among those who shall not
grow old. Sometimes, as in the case of Muhammad Ali, the physical
deterioration is so pronounced, and in such contrast to the athleticism
which made him a champion, that the vocabulary of high tragedy is
called into service. The American writer Joyce Carol Oates described Ali
in his ‘dark brooding’, damaging, later fights as ‘the closest analogue
boxing contains to Lear himself’.8
His last fight apart, George Barnes is no antipodean Lear and his
biographer will have to find another analogue. His career reflects only
some elements of the conventional rise and fall pattern of the tragic
hero’s or boxer’s life. It offers an a different trajectory for he largely
escaped the bleaker half of the wheel of fortune’s rise and fall. His
success in the ring was mediated into a long and prosperous postboxing
career. He used his boxer’s skills to win economic independence
and add to his social experiences and status.
GEORGE BARNES
"My Fighting Is My Business", Former Empire Champion.
'My Fighting is My Business’:Towards a Biography of George
Barnes, Australian Boxer1
Rodney Sullivan and Robin Sullivan
There is no consensus on George Barnes’s standing in Australian sports
history. In his influential Lords of the Ring Peter Corris gave a less than
flattering portrait of Barnes. Although admitting his popularity,
fearlessness, independence and honesty Corris denigrated his boxing
skills and achievements. He described Barnes as ‘the last of the old-style
of Australian fighters starting young, indifferently managed, relatively
unsuccessful overseas, going on too long and displaying courage in
excess of his skill’.2 Other commentators have been more generous. An
entry in the Encyclopaedia of Australian Sports presented him as a ‘tough,
rugged fighter who refused to give an inch in the ring’ and underlined
the precedents he created, the first son of a national boxing champion to
emulate his father and the first Australian to win the British Empire
welterweight title.3 In a profile subtitled ‘Son of an Anvil’, Grantlee
Kieza highlighted Barnes’s capture of the Australian and Empire
welterweight championships and his high earnings, a considerable
proportion of which were won overseas.4 Ron Casey a leading sports
journalist and contemporary of George Barnes summed him up him as
‘a wonderful fighter and great friend . . . so tough and durable’.5 Another
journalistic contemporary of Barnes, writing in the mid-1950s,
distinguished him from the more numerous ‘*****foot fighters’ of the
time, marking him as ‘a man not frightened to go in and mix it’.6 Bernie
Pramberg’s recent profile of Barnes was similarly positive, identifying
him as the ‘iron man’ of Australian boxing when the sport was at its
pinnacle. He had no hesitation in nominating him ‘one of our all-time
greats’ in view of the length of his career, with sixty-six professional
bouts over fifteen years, and his performances against world-rated
opponents.7
If one puts aside Corris’s bleak appraisal there are indications that
Barnes’s biography would be atypical. A collection of boxers’ biographiesis likely to overwhelm the reader with the number of lives cut short or
impaired. There is a familiar pattern of events in the lives of many
boxing subjects. Elements include a poor family, little formal education,
and a career forged out of a mixture of physical gifts, aggression, and
more or less fortunate management. The pattern often follows the wheel
of fortune with the career apogee succeeded by decline as the boxer’s
physical strength wanes. The glamour which accompanies him in victory
gives way to penury, drug addiction and ill-health unless an early death
preserves him, in company with Les Darcy, among those who shall not
grow old. Sometimes, as in the case of Muhammad Ali, the physical
deterioration is so pronounced, and in such contrast to the athleticism
which made him a champion, that the vocabulary of high tragedy is
called into service. The American writer Joyce Carol Oates described Ali
in his ‘dark brooding’, damaging, later fights as ‘the closest analogue
boxing contains to Lear himself’.8
His last fight apart, George Barnes is no antipodean Lear and his
biographer will have to find another analogue. His career reflects only
some elements of the conventional rise and fall pattern of the tragic
hero’s or boxer’s life. It offers an a different trajectory for he largely
escaped the bleaker half of the wheel of fortune’s rise and fall. His
success in the ring was mediated into a long and prosperous postboxing
career. He used his boxer’s skills to win economic independence
and add to his social experiences and status.
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