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The Frazier-Ali feud 1-2

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  • The Frazier-Ali feud 1-2

    Of the various levels of contempt, two are of interest in relation
    to Ali-Frazier. The contempt that Ali held for Frazier during the final
    third of his career and in retirement was at the level of “Hobbesian
    indifference,” which William Ian Miller, author of The Anatomy of
    Disgust, points out, is designed to render the target invisible or nonexistent.
    But Ali was not always Hobbesian. Early on, as Cassius Clay,
    he had an insolent contempt, a promiscuous spray of disrespect that
    indicates someone trying to secure rank by mere display; a rather
    mean fool. When he became champ, he accelerated the contempt
    that shames and humiliates, especially against those he saw as threats
    to his superiority and rank among blacks, particularly the much-loved
    Floyd Patterson and later the implacable challenge of Frazier. Joe’s
    contempt, ceaseless and unsparing, was a different sort from the outset.
    His was that of the “blood-feuder,” and remains so today. Besides
    responding to the pain and humiliation Ali caused him, he wanted
    and wants to reduce his rank, to show him that he failed, that he
    never measured up, that he claimed much more for himself than he
    was. Ali has sat in Frazier’s gut like a broken bottle.

    The Frazier Ali-feud 1-2
    The Heavyweights
    A series of threads about Frazier, Ali, Patterson and Tyson





    Frazier

    For a good period, Joe Frazier seemed as if he had been born at
    the age of twenty-one. No one knew much about him. In many conversations
    he was agreeable enough, but there was a strained cheerfulness,
    and just below a restrained hostility. Or was it? Perhaps it was
    just a matter of confusion within that was behind his vague remoteness,
    a distrust of white people, a frustration with his ability to articulate
    or know how to act confidently, or that he hadn’t come to
    accept himself as a contender. He never looked you in the eyes, never
    seemed to want to be there. Gypsy Joe was asked about his pal’s
    demeanor and said: “He just a warrior. He afraid to say much.” Most
    likely, all of the above was true about Frazier then; he left the personality
    of himself up to his manager, Yank Durham, who gladly
    obliged. He was seldom without Durham by his side, and over the
    years it become discomfiting and eerie how the manager seemed to
    think he was the fighter, how he even ended sentences for him, like:
    “I don’t think this fight will go long. You won’t see any lumps on my
    face after this one. I wanna do some dancin’ with the girls tonight.”

    It wasn’t until Ali began to humiliate Frazier about his blackness,
    tried to turn him into a white pawn, that he started to respond about
    his youth and bleak times. The last of eleven children, Joe was raised
    in Laurel Bay, not far from Beaufort, South Carolina, the otherworldly
    low country that was the oldest and most historical settlement
    of the slave culture in the nation. The people there were perjoratively
    called Geechee, but they were actually Gullah and they
    spoke a language of their own. They had their own way of living, had
    a silent contempt for whites, and were suspicious of other blacks,
    who viewed them in turn as backward and dangerous, a people who
    had not moved beyond slavery. They were in fact a proud, independent
    people who clung to African ways (to assimilate was to lose their
    souls) with small adjustments for reality. Once there, you could never
    forget the people or the land, filled with large trees weeping Spanish
    moss, thousands of whispering, steaming waterways that easily concealed
    bootleg stills and smuggling.

    “I don’t think Frazier knew the term Uncle
    Tom,” says Ricki Lights, a poet and medical doctor in Philly who was
    raised there. “You never heard it. To call a Gullah an Uncle Tom would
    be asking to die. I mean it.”
    Slave history of the low country supports that view. Class distinc
    tion based on skin color was drawn almost from the beginning of the
    settlement. Mulattoes, the fair-skinned progeny of white slavers and
    African women, were the emerging group and favored by owners. They
    got the better jobs and a big share of the largess (such as it was) that was
    handed down on the whim of their masters. Purebloods from Africa,
    seen as nonadaptive, resented sharply the superior airs of the mulattoes,
    who were too eager to conform to white culture. In various rebellions
    that were often chronic, the mulattoes were rarely included in conspiratorial
    plans; the blooded didn’t trust them.
    While Frazier would later call Ali a “half-breed” in Manila, the
    phrase was not just a passing comment of frustration; it leaped out
    from a tribal flash of racial memory. Always able to feel the lancing
    invective with which Ali assaulted him, Frazier began to see it as an
    orchestrated campaign to crush any respect he had in the black community.
    Blacks who understood the mulatto and pureblood equation
    winced. On display every day in the streets, it was now being played
    out in a large public way.
    The Muslims, it should be pointed out, mirrored the age-old divide
    of color. Their leader, Elijah Muhammad, was “color struck.” He taught
    his followers that they were descended from “Asiatic blacks,” meaning
    that they were from Arab stock, not from the sub-Saharan Africa. Elijah
    was a light man, and so were a large part of the Muslim hierarchy; the
    so-called sub-Saharans in the movement had subordinate roles. When
    Malcolm X established contacts with newly independent African
    nations, he was admonished for associating with “these people.” Unlike
    Malcolm, Elijah would avoid travel to sub-Saharan Africa during his
    pilgrimage to Mecca in 1959. During at least two later visits to Africa,
    Ali himself would remark that African women would be more attractive
    if they had a little white blood in them.

    Ali:

    Frazier first met Ali the night following the
    Zora Folley bout in the Garden, his last before he exiled for evading
    the draft. Durham recalled, “Somebody takes Joe over, `Champ, this
    is Joe Frazier,’ and I’m sayin’ I don’t want this happening. I want Ali
    remaining a face, a name, nobody important now. I’m training a dog,
    you see, to eat a dog.” Ali sized Frazier up and said, “I know who he
    is. Stay healthy, Joe. I’ll be back. We gonna do some business.” He
    then snapped Joe’s suspenders, saying, “These won’t keep you
    standin’. You not big enough for me. But we’ll make some money
    anyway.” Joe gave him a big smile and said, “Could be.” Sensing too
    much softness in Joe, Durham broke in, saying, “Clay, you ever need
    some money, we’ll always have some sparring work for you.” Ali just
    looked at Yank, then turned away, with his aide saying to him, “Can
    you believe that country ******?” Yank pulled Joe aside and said, “You
    best get some sense in your head, boy. You too impressed by him.
    You’re somebody. Got a big future. Get them stars outta your eyes,
    else he’ll pick the gold right outta your pocket

    Next

    The Frazier Ali-feud 2-2

  • #2
    Have you read "Ghosts of Manila" by any chance

    Comment


    • #3
      Originally posted by Axlsmith View Post
      Have you read "Ghosts of Manila" by any chance
      Yep. It is one of my favourite boxing books. As you may have guessed most of the info above is from that book.

      Comment


      • #4
        Originally posted by Toney616 View Post
        Yep. It is one of my favourite boxing books. As you may have guessed most of the info above is from that book.
        Thoroughly enjoyed it myself. Definitely painted both Ali and Frazier in different lights.I did feel it may be better to take the book with a pinch of salt though.One of my favourite boxing books too

        Comment


        • #5
          Originally posted by Axlsmith View Post
          Thoroughly enjoyed it myself. Definitely painted both Ali and Frazier in different lights.I did feel it may be better to take the book with a pinch of salt though.One of my favourite boxing books too
          What makes you say that?

          Comment


          • #6
            Originally posted by Toney616 View Post
            What makes you say that?
            The book's intention is to tell a story.It is not a biography.It is an account of one man's experiences and views regarding Ali and Frazier.I am not saying it is a pack of lies,I just think it is wise to keep in mind his intentions behind the book.Ultimately it come's down to the Author's interpretation of event's and the reasoning behind them.

            Still,it is a very brave book and a great read

            Comment


            • #7
              Originally posted by Axlsmith View Post
              The book's intention is to tell a story.It is not a biography.It is an account of one man's experiences and views regarding Ali and Frazier.I am not saying it is a pack of lies,I just think it is wise to keep in mind his intentions behind the book.Ultimately it come's down to the Author's interpretation of event's and the reasoning behind them.

              Still,it is a very brave book and a great read
              Nice post.
              I agree with everything you posted

              Comment

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