Horus Presents: SLICK FIGHTER 101 "SLICKOLOGY"

[Horus]

SLICK FIGHTER 101: SLICKOLOGY

Lesson #1

The Fighter must be able to constantly display various ‘modes’ of movement.

1. Rolling
2. Slipping
3. Pivoting at the waist
4. Feinting
5. Bobbing and weaving

The Fighter is generally a counter puncher by Nature.

Typically has Good Head Movement
Fights within a rhythm

1. Rhythm of offensive motion. (preparing to punch)
2. Rhythm of defensive motion. (waiting to counterpunch)


Changes of speed and direction, pivoting and spinning, dipping, rocking, backpedaling, sidestepping, feinting, weaving, sideslipping, angles all are part of a repertoire of constantly shifting balancing mannerisms designed to alter the perspective of the observer, a kind of slick motion. I call these various types of counterbalancing movement techniques ‘modalities of rhythm’.

This tradition has always been passed down from master to student mainly through experiencing the ‘feel’ of these modalities as well as using analogy to pass on information. However it is the insights that are gained through these experiences and the ability to execute that creates masters.

True Master of this art usually spend the first few rounds of a fight studying their opponenet movement and developing thier timing. Once movement is trace and locked and the pace increases, this is usually when their Slick Skillset kicks in.

[IMG]http://i30.***********.com/albums/c318/Quntel/Black_Raven-129831.jpg[/IMG][/IMG]

For more information please visit:
http://www.boxingscene.com/forums/sh...hlight=reasons

[ИATAS]

[JBell11]

SLICK FIGHTER 101: SLICKOLOGY

Lesson #1

The Fighter must be able to constantly display various ‘modes’ of movement.

1. Rolling
2. Slipping
3. Pivoting at the waist
4. Feinting
5. Bobbing and weaving

The Fighter is generally a counter puncher by Nature.

Typically has Good Head Movement
Fights within a rhythm

1. Rhythm of offensive motion. (preparing to punch)
2. Rhythm of defensive motion. (waiting to counterpunch)


Changes of speed and direction, pivoting and spinning, dipping, rocking, backpedaling, sidestepping, feinting, weaving, sideslipping, angles all are part of a repertoire of constantly shifting balancing mannerisms designed to alter the perspective of the observer, a kind of slick motion. I call these various types of counterbalancing movement techniques ‘modalities of rhythm’.

This tradition has always been passed down from master to student mainly through experiencing the ‘feel’ of these modalities as well as using analogy to pass on information. However it is the insights that are gained through these experiences and the ability to execute that creates masters.

True Master of this art usually spend the first few rounds of a fight studying their opponenet movement and developing thier timing. Once movement is trace and locked and the pace increases, this is usually when their Slick Skillset kicks in.

[IMG]http://i30.***********.com/albums/c318/Quntel/Black_Raven-129831.jpg[/IMG][/IMG]

For more information please visit:
http://www.boxingscene.com/forums/sh...hlight=reasons

Great Post...where you been homie???

[Horus]

[Kagami Taiga]

i agree the thread is kinda lame, but wats the point of this gif???

[TRAV1$]

A wonderful reply.

[project xxx1]

thanks for the info

name me 10 slick boxers past or preasnt

[TRAV1$]

i agree the thread is kinda lame, but wats the point of this gif???

Slickology bra.

[Kagami Taiga]

Slickology bra.

lol i still dont get it

[Steak]

good god I thought my sarcastic thread had proven a point.

theres no such thing as a slick fighter, its a made up word in a boxing sense that has no relevance to an actual fight and is a broad term subject to individual interpretation.